![]() Referring to her time-travel novel Kindred, Butler explained, "I wanted to write a novel that would make others feel the history: the pain and fear that Black people have had to live through in order to endure." 6. But even those with more straightforward science fiction premises are often suffused with dread, exposing the suppressed horrors of American history. In her stories, Butler addressed racism from a fantastical perspective-her works are full of futuristic dystopias and alien planets-but she never shied away from its horrors. Her final novel, Fledgling, published the year before her death, is perhaps her most horror-inspired work, telling the story of a young girl who discovers she's a vampire. Though she’s primarily known as a science fiction author, Octavia Butler's stories often incorporate elements of horror. NIKOLAS COUKOUMA, Wikimedia Commons // CC BY-SA 2.5 Or, try her famous short story "Where Are You Going, Where Have You Been?", which was inspired by the real-life serial killer Charles Schmid. Her catalogue of more than 100 books can be overwhelming, so we’d recommend starting off with her story collection Haunted: Tales of the Grotesque. ![]() Oates, who has been called "America’s foremost woman of letters," is famous for writing stories that will scare your pants off. The Pulitzer Prize-nominated author Joyce Carol Oates is a modern master of Gothic horror. In novels like Hill House and We Have Always Lived in the Castle, Jackson cultivates an atmosphere of unease and dread while questioning the very idea of home. Her feelings about domestic life often came out in her work. Though she was her family's primary breadwinner, her husband controlled her finances and expected her to ignore his philandering. Despite her literary success, Jackson suffered from lifelong depression and anxiety, and often felt oppressed in her own home. ![]() Her novel The Haunting of Hill House was adapted for the big screen twice and once for Netflix, and her short story " The Lottery" is assigned in English classes across America. Shirley Jackson was one of the most influential horror writers of the 20th century. Today, Riddell's stories feel old-fashioned in the best possible way-they're full of dusty, deserted mansions and ghosts with unfinished business. Sparling-was a popular writer in her time, publishing classic short stories like "The Open Door" and "Nut Bush Farm" along with four supernatural novellas. Though she and her husband often struggled financially, Riddell-who initially wrote under the masculine pen names F.G. Born in Ireland in 1832, she was a prolific writer of supernatural tales, haunted house stories in particular. Bleiler once called her "the Victorian ghost novelist par excellence," and her stories are both extraordinarily spooky and subtly snarky. Charlotte Riddellįor great Victorian-era ghost stories, look no further than Charlotte Riddell. ![]() But, as with many adaptations, her original stories are even more haunting than their on-screen counterparts. In all, du Maurier’s works have been adapted for film 12 times, and for television even more frequently. Her short story "Don't Look Now" was adapted into an extremely creepy movie starring Julie Christie and Donald Sutherland in 1973. Hitchcock wasn't the only director who wanted to bring her work to the big screen. If you were drawn to the premise of The Birds but perhaps found the special effects a little hokey, the du Maurier story is well worth checking out. The director adapted three of her novels into films: Jamaica Inn, Rebecca, and The Birds. If you love Alfred Hitchcock movies, chances are that you already love Daphne du Maurier. To set the record straight-and give you some delightfully spooky reading this Halloween season-here are 11 women horror writers you need to read. But if Shelley is the godmother of modern horror, who are her goddaughters? Women have written some of the most blood-curdlingly scary stories of all time, but they haven’t always gotten the credit they deserve. In 1818, Mary Shelley published Frankenstein, a novel so gripping it would continue to scare readers and shape genre literature for the next 200 years.
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